Upon making the choice to read, the story then has to attract readers quickly before they lose interest. For example, in today’s highly visual media, choosing to read a book instead of watching a show takes an initial level of commitment on the part of the reader. Plot commitment varies not only by each individual’s taste but also by the storytelling medium. That faith, that hope, makes individuals obstinate in their beliefs, which commits them to the plot until the story has come to its conclusion. For instance, if someone enjoys strong characters, they may believe that any story with strong characters will turn out good in the end. That individual believes, whether consciously or unconsciously, that a particular element makes a story good. If someone really likes a particular element of a story, they will continue to read or watch the story unfold out of pure stubbornness. While that view is optimistic and perhaps true for some people, that theory does not take into account one of the driving forces behind plot commitment: stubbornness. In fact, some critics even argue that plot commitment is a direct result of the reader/viewer learning to enjoy the story. Some people might think that your attraction to some story elements can improve your opinion of the overall story. That attraction to those initial elements will get you hooked on to the story, and the longer you let yourself be attracted to those elements, the more plot committed you become. Unless, of course, the “good” parts are what attracted you to the story in the first place. If only a few parts are good, they can’t necessarily make up for the bad parts. No matter which story element catches your fancy, any one of those elements can be the reason you get drawn in and plot committed.Īs we all know, though, a good story is more than just the sum of its parts, but the parts still have to work together in some way or another. In terms of movies or television shows, many people will watch anything that has particular actors involved. For some people, it’s all about character development, whereas other people like particular genres. There are many elements that attract each of us to a story. But being plot committed is not always a joyous experience. In other words, because the writing is so good, you are absolutely committed to whatever twists and turns happen in the plot. Technically, you can simultaneously love a story and be plot committed. “What’s the difference between being plot committed and just really liking a story?” You might be asking yourself the following question: We can’t always explain it, but many of us fall prey to being PLOT committed. Just look at our commitment to all the stories we read in books or watch on screen. Many poker players feel like they are pot committed because they have put so much money into a game, which makes them feel compelled to continue the game no matter what cards they hold.įeeling compelled to continue till the end, regardless of the costs, happens outside of poker as well. Unfortunately, most people stress out and don’t know how to play the odds correctly. Ideally, poker experts argue that if the odds of you winning are higher than the percentage of money you’ve put into the pot, then you should commit to playing the game through, since you are likely to win. For instance, the odds of your hand winning compared to the percentage of money you’ve already committed to the pot determine how committed you should be to completing the hand. If you’re not a card shark, the term “pot committed” deals with whether you should stay in a hand based on the odds. In Texas Hold ‘em, players often blame losing games on being pot committed.
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